The Killers - Human
Shot No.
|
Duration (seconds)
|
Shot type
|
Mise-en-scene
|
1
|
5
|
Close-up
|
Wires, sandy/rocky ground, mid-day
|
2
|
5
|
Mid-shot
|
K sign, sandy/rocky ground, mid-day
|
3
|
9-10
|
Establishing/panning
|
Rocky canyon, singer walking alone, mid-day
|
4
|
10
|
Mid/close-up, group shot
|
Rocky canyon, band in background, stage lights, afternoon
|
5
|
3
|
Long shot
|
Rocky canyon, smoke, signs with bands’ faces, white tiger
|
6
|
10
|
Close-up -> tracking shot, group shot
|
Singer in costume, afternoon, soaring eagle
|
7
|
5
|
Mid-shot
|
Rocky canyon, bassist in suit, afternoon, stage lights
|
8
|
5
|
Close-up/mid-shot
|
Bassist, amps, afternoon, rocky canyon
|
9
|
3-4
|
Close-up
|
Afternoon
|
10
|
11
|
Close-up/mid-shot
|
Afternoon, band in background, music equipment, rocky canyon
|
11
|
2-3
|
MLS, low angle
|
Afternoon, rocky canyon, band playing, music equipment
|
12
|
2
|
Panning/establishing
|
Desert, mountain, afternoon
|
13
|
2
|
ECU
|
White tiger face
|
14
|
2
|
Mid-shot
|
Sandy ditch, afternoon, cougar
|
15
|
1
|
Mid-shot, low angle
|
Singer, afternoon
|
16
|
5-6
|
MLS
|
Rocky canyon, smoke, signs with bands’ faces, afternoon
|
17
|
1
|
Mid-shot
|
Drummer, rocky canyon, afternoon
|
18
|
3-4
|
Mid-shot
|
Band, canyon, afternoon
|
19
|
1
|
Mid-shot
|
Drummer, rocky canyon, guitarist in background, afternoon
|
20
|
3
|
Mid-shot, low angle
|
Singer, afternoon
|
21
|
4-5
|
Circle split-screen
|
Circles, drummer, band faces in mosaic
|
22
|
1
|
Mid-shot
|
Drummer, canyon, guitarist in background
|
23
|
3
|
Mid-shot, low angle
|
Singer, afternoon
|
24
|
3
|
Pan right, close-up
|
Instruments and equipment, canyon, drummer
|
25
|
10
|
Mid-shot, low angle
|
Singer, afternoon
|
26
|
3
|
Mid-shot
|
Cougar, sandy ditch, afternoon
|
27
|
3
|
Long-shot
|
Canyon, band in background
|
28
|
3
|
Long-shot
|
Canyon, band, afternoon
|
29
|
3
|
Long-shot
|
Canyon, band, afternoon
|
30
|
2
|
Long-shot
|
Canyon, band holding up pics of their faces, afternoon
|
31
|
1-2
|
MLS
|
Singer, band in background, canyon
|
32
|
2
|
Close-up/mid-shot, two shot
|
Band, instruments, equipment, canyon, afternoon
|
33
|
5-6
|
Mid-shot, group shot, tracking
|
Band, instruments, equipment, canyon, afternoon
|
34
|
4
|
Long shot, tracking, group shot
|
Band, instruments, equipment, canyon, afternoon
|
35
|
3
|
Close up, moving
|
Band, two shot, canyon, afternoon
|
36
|
2-3
|
Mid-shot
|
Drummer, canyon, afternoon, guitarist in foreground
|
37
|
1-2
|
Mid-shot
|
Singer, canyon, afternoon, band
|
38
|
1-2
|
Mid-shot
|
Drummer, canyon, afternoon, guitarist in foreground
|
39
|
11
|
Mid-shot, high angle
|
Singer, sandy background, afternoon
|
40
|
4-5
|
Long shot, group shot, panning
|
Canyon, band, afternoon
|
- In this video I have found that the camera moves at a slow to medium pace, in a somewhat graceful way. This fits in nicely with the background sound which is a medium paced, high pitched almost choir like noise heard in the verses.
- In my opinion the pace of the camera movement helps to enhance the uplifting and meaningful culture of the song.
- There are a lot of fade outs/ins, cross-dissolves, and dip-to-black transitions used which make the video feel more elegant and again assist with enhancing the fashion of the song.
- All sorts of angles and shots are used as well as framing techniques. I noticed that the singer was almost always framed to be in the centre of the shot, and also that the duration of each shot is varied although the average duration is 4-5 seconds, and the cutting rate does not always match certain beats. The lead singer is featured in exactly 23% of the shots.
- This video has highlighted to me the significance of the effect that camera movement can have on a music video. For example as the pace picked up, the camera's elevation increased which made the song feel more exhilarating.
- Editing pace is something that I already knew was important in music videos but this video helped me to understand when it is an effective time to include a transition, and what transitions are aesthetically pleasing to see. For example during the instrumental section of the song, as the music gradually builds up to the chorus there are a few cross-dissolves which help to build up anticipation for the chorus.
No comments:
Post a Comment